Recorders
Tim Cranmore's range of hand crafted professional recorders are available to order subject to the schedule laid out in the following terms and conditions document.
 
 
Sopranino after Denner  
Sopranino after Denner
The smallest recorder in mainstream use. This instrument is adapted from an original in Basel.
 
 
Soprano after Haka  
Soprano after Haka
Probably the earliest C soprano in true Baroque style, Haka's life spanned the transition from the earlier Renaissance form into the more ornate Baroque era.
 
 
Soprano Fourth Flute after Bressan  
Soprano Fourth Flute after Bressan
A recorder in B flat, a very English pitch. Gives a warm sound to any soprano part where the range does not need a top C. Probably used in English consort. I also make an extended version which serves as a Third flute.
 
 
Alto in F after Stanesby jnr  
Alto in F after Stanesby jnr
Assumed nowadays too be the 'standard' solo instrument, there are certainly more surviving baroque altos than any other size. Thomas Stanesby Junior was the last Englishrecorder maker before the instrument fell out of fashion.
 
 
Alto Concerto after Stanesby  
Alto Concerto after Stanesby (A440 or A415)
An alto in F with an expanded voicing, made in
African blackwood. Designed to hold its own with a modern piano, or an orchestra.
 
 
Alto in F after Bressan  
Alto in F after Bressan (original pitch)
An exact copy of the instrument held by the Bate Collection in Oxford. English recorder making at its best.
 
 
Alto after Bizey in F  
Alto after Bizey in F A392
A strange original alto that has survived at French pitch, a full tone below A440. The centre and foot joints appear stretched as though they have been fitted to a head that is too short.
 
 
Voice Flute after Denner  
Voice Flute after Denner
The number of surviving voice flutes, especially by Bressan, indicate that it was a common instrument. However, the limited range of the originals indicate that it may have a been a consort instrument, rather than for its modern use, as a substitute for the Baroque flute.
 
 
Tenor in C after Hotteterre  
Tenor in C after Hotteterre A440
There are few surviving C tenors, but one of the finest was made by the Hotteterre family, who dominated woodwind instrument making in Paris. My tenor has no keys, but was originally designed as an A392 voice flute.
 
 
Tenor in C after Bressan  
Tenor in C after Bressan
The famous Grosvenor consort by Bressan, now held in Chester Museum, includes a C tenor. As it formed part of a set, it is assumed to have been a consort instrument. I fit my version with a set of modern keys, but a copy of the original forms part of the Bressan consort.
 
 
Tenor Fourth Flute after Stanesby Jnr  
Tenor Fourth Flute after Stanesby Jnr
Maybe a consort instrument, or maybe not considering the ease of the high notes, and the cryptic reference to the flute a quatre in the Dieupart suites.
 
 
The Dragon Flute  
The Dragon Flute (Drachenfloete)
I designed this instrument as a response to the rather safe contemporary versions of the recorder. A fantasy instrument in soprano C, the easy response and dark appearance makes this suitable for jazz, rock, and all contemporary musical situations.
 
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Three Hole Tabor Pipes  
Three Hole Tabor Pipes
An overtone flute, suitable for pipe and tabor and Morris dance. Tuned in D,C,B flat, G and tenor C. The range includes historical copies after Praetorius and the Mary Rose originals.
 
 
Bressan Consort  
Bressan Consort
A consort set of instruments by Bressan and Stanesby at A405, bass to fourth flute. Plays Purcell and other English consort music with a completely different feel.
 
 
Mediaeval Recorders  
Mediaeval Recorders after Tartu and Dordrecht
Recorders from the mediaeval period survive as images and fragments from archaeology. The best preserved is the Tartu sopranino. I make copies of the two originals, and a conjectural consort to play music from the 13th to 15th century, even though this is rarely specified as instrumental.
 
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